 An extra-dry 'tini with high proof gin -- believe it, or not --can be complemented just as easily by pulse-pounding, three-chord bashing from The Damned or Social Distortion as it can by the hip, sixties sounds of Jefferson Airplane, The Who or the Doors. And of course more traditionally by the soft, crooning of Mel Torme, Bing Crosby or Frank Sinatra, and certianly the swinging sounds of Henry Mancini, Les Baxter or Count Basie
An extra-dry 'tini with high proof gin -- believe it, or not --can be complemented just as easily by pulse-pounding, three-chord bashing from The Damned or Social Distortion as it can by the hip, sixties sounds of Jefferson Airplane, The Who or the Doors. And of course more traditionally by the soft, crooning of Mel Torme, Bing Crosby or Frank Sinatra, and certianly the swinging sounds of Henry Mancini, Les Baxter or Count BasieStill, there is a right way to truly enjoy the Martini Mood. A good martini should always be accompanied by music, friends, or a combination of the two. This is part of what makes it a good martini. As you mix the martini it is important to conduct a brief self-examintion and decide on the music or companions that will mix best with your martini and your mood. (Note: Sipping a martini alone and listening to Pink Floyd is not considered a safe -- or sane -- mix.)
A good mix of the Martini Mood can include a swinging film like "The Guide to the Married Man" (Walter Matthau, 1967), an exciting baseball game, or Combustible Edison. Don't waste a good martini on NASCAR, "Rocky V," or Boys II Men.
The perfect martini:

Sip it, don't gulp it.
